Posts Tagged ‘interchangeable lens’
January 7th, 2011 by Allison Gibson Posted in Blog, CES, News

CES 2011, Las Vegas—I can confirm now that the new Olympus PEN E-PL2 is, in fact, more ergonomically comfortable, the layout more functional. The on/off button is now recessed so that there’s no chance of clicking it rather than the shutter release. After all, that was one of the resolved issues that Olympus touted when they announced this new, fourth generation compact, interchangeable lens PEN camera on Wednesday. There aren’t so many other noticeable changes from the PEN E-PL1, though the 460,000 dot LCD is much brighter than that of its predecessor. The new camera was modeled on its predecessor—and underwent a few little tweaks based on user feedback—in order to emerge as this slightly altered, still feature-packed, powerful image maker in a small package. The Art Filters (still the most well done out of any I’ve seen from the several companies who now include similar modes in their equipment), the Live Guide feature, the Intelligent Auto mode, and the DSLR-sized image sensor were all carried over from the previous model. Think of it as a face lift, really—the subtle kind that makes a person look refreshed rather than scary.

click thumbnails to enlarge
January 6th, 2011 by Allison Gibson Posted in Blog, CES, News

CES 2011, Las Vegas—The new Samsung NX11 mirrorless interchangeable lens camera is the latest in the company’s successful NX lineup, following the NX10, which we really enjoyed testing last summer. (For more information on the technology of interchangeable lens cameras, check out the NX10 link.) The upgrades to the new NX11 include the i-function lens, which allows for full manual shooting controls (aperture, shutter speed, EV, WB, and ISO) via the i-function button or ring on the lens—allowing the photographer to control these settings easily, without taking the camera off the subject. The NX11 continues to use the APS-C size image sensor (which is larger than that of the micro four thirds sensor) for advanced image quality in a compact body.
January 5th, 2011 by Allison Gibson Posted in Blog, Cameras, CES, News

CES 2011, Las Vegas— Olympus announced today the fourth generation camera in their compact, interchangeable lens PEN lineup. The PEN E-PL2 follows last year’s PEN E-PL1, with upgrades that include: Live Guide II to preview HD video (720p), a 3-inch 460,000 dot LCD, increased ISO sensitivity and what they are saying is a more ergonomic body design, which we’ll get to check out on the show floor tomorrow. The 12.3-megapixel PEN E-PL2 will be available with the kit MSC M. ZUIKO DIGITAL ED m14-42mm f3.5/5.6 Zoom Lens for $599.99. Read the full press release below.
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May 10th, 2010 by Allison Gibson Posted in Blog, Cameras, News

At PMA in February, we brought you the news that Sony had plans to unveil a compact interchangeable lens camera this year. Well, that time has come. Sony has just announced two new mirrorless a (alpha) compact interchangeable lens digital cameras—the NEX-3 and the NEX-5. Both offer the image quality of a D-SLR with the portability of a compact camera. According to Sony, “these models are the world’s first interchangeable lens cameras with an APS-C sensor to continuously adjust focus and exposure while recording video.” They will be compatible with three new E-Mount lenses. An optional LA-EA1 Mount Adaptor extends compatibility to the α family of 30 lenses, plus a huge range of other legacy A-mount lenses (Manual Focus only). The cameras and lenses will be available in July. Find additional images and the full press release from Sony below for specs and pricing.
From Sony:

SAN DIEGO, May 10, 2010 – Sony today introduced two innovative α (alpha) compact interchangeable lens digital cameras (models NEX-5 and NEX-3) that provide the quality of a digital SLR in a compact body that is easy to slip into a small purse or jacket pocket for ultimate portability.
“Consumers want better picture quality in a smaller form factor. Sony has made that a reality with these cameras. The NEX-5 and NEX-3 cameras truly embody Sony’s make.believe spirit,” said Kristen Elder, director of Sony’s alpha digital imaging business. “These new cameras are the game-changers everyone has been waiting for and will revolutionize the consumer experience by offering outstanding picture quality with a totally pocketable size.”

With breakthrough video performance, these models are the world’s first interchangeable lens cameras with an APS-C sensor to continuously adjust focus and exposure while recording video. The NEX-5 camera offers Full HD movie capture (1080i AVCHD and 720p MP4) with Full HD 60i recording.
These cameras are perfect for point-and-shoot users looking to advance from snapshots to creative photography as well as existing DSLR users searching for a no-compromise compact alternative.
Innovative Design

Unlike conventional DSLR models, the “mirrorless” construction of the new models reduces the thickness of both camera bodies to just about an inch at their slimmest point (excluding grip and mount portions). The NEX-5, constructed from magnesium alloy, and the NEX-3, with a polycarbonate casing, offer a newly developed 14.2 megapixel Exmor™ APS HD CMOS sensor. About 60 percent larger than the sensor in micro four-thirds cameras, this sensor is key to the exceptional image quality, extremely low image noise and creative defocus background effects that are familiar to DSLR users.
HD Movie Recording and Fast, Silent Autofocus

The NEX-5 and NEX-3 are the first α cameras to offer the extra convenience of high definition video recording. In addition to 720p HD recording, the NEX-5 also captures
Full HD (1920 x 1080i) video in high-quality AVCHD files that can be easily enjoyed on a compatible HD television via the cameras built-in HDMI™ terminal (cable not included). The NEX-3 shoots 720p HD video as compact MP4 files. Both Sony cameras include built-in stereo microphones for high-quality audio recording.
Still and video image quality is further refined by Sony’s powerful BIONZ® processor that ensures quick DSLR-style shooting response with fast, precise autofocus and minimal shutter lag. Both cameras can also capture fast-moving action with a high-speed burst of full-resolution images at up to 7fps (AF/AE fixed from first frame).
Sweep Panorama
The NEX-5 and NEX-3 are the first α cameras featuring Sweep Panorama. Capturing large group shots is as easy as press-and-sweep. Sweep Panorama mode lets consumers capture breathtaking shots up to 226-degree horizontal or 151-degree vertical shots.
Both models will be ready for 3D Sweep Panorama this July (with firmware update). With 3D Sweep Panorama mode, these cameras can shoot 3D panoramic still images with a single lens. The high-speed burst of frames is stitched together using innovative processing techniques to automatically create detail-packed 3D panoramas. These files can be enjoyed in stunning 3D on compatible 3D televisions (other accessories may be required).
These cameras provide the advantages of multi-frame capture featured in Cyber-shot® cameras, including Hand-Held Twilight and Anti-motion Blur modes, which offer extraordinary low-light performance.
Simple To Use
Overcoming the complexity and intimidation that often come along with DSLR use, the NEX-5 and NEX-3 cameras have a new easy-to-use interface. It makes their performance advantages and features—including the techniques of creative photography—simple to master for consumers stepping up from compact digital still cameras and simultaneously offers easy access to the important camera controls that DSLR users demand.
Images and camera settings are displayed on the 3-inch (diagonal) wide-type Xtra Fine LCD™ display with TruBlack™ technology and 921k dot high resolution LCD that tilts up or down for comfortable viewing in any shooting position. The screen features an auto-brightness control function for excellent visibility, even outdoors. TruBlack screen technology enables an even more vivid, high-contrast view of images and camera settings.
E-Mount Lenses
Three new E-mount lenses are being introduced, including a 16mm F2.8 wide angle prime lens (model number SEL16F28), an 18mm-55mm F3.5-5.6 standard zoom lens (model number SEL1855) and an 18mm-200mm F3.5-6.3 (model number SEL18200) high magnification zoom lens.
The E-mount lenses provide the cameras with extreme compactness as well as the performance required for quiet continuous auto focus and auto exposure during HD video capture. These all new lenses are of premium construction, with brushed aluminum barrels and steel mounts. An optional LA-EA1 Mount Adaptor extends compatibility to the α family of 30 lenses, plus a huge range of other legacy A-mount lenses (Manual Focus only).
Ideal for everyday shooting, the low-profile E 16mm F2.8 lens minimizes bulk, allowing the camera to easily be carried in a coat, pants pocket, or purse. This lens’ creative possibilities can be expanded even further by the VCL-ECU1 Ultra Wide Converter which provides a 12mm view, and VCL-ECF1 Fisheye Converter that delivers impressive curvi-linear distortion.
Featuring in-lens Optical SteadyShot™ image stabilization for clearer handheld images, the E 18-55mm F3.5-5.6 OSS zoom is a perfect travel partner. The NEX-5 and NEX-3 are available in kit form with either the 16mm prime or the 18mm-55mm lens. The E 18-200mm F3.5-6.3 OSS zoom lens offers a powerful 11x magnification range plus Optical SteadyShot image stabilization with Active mode that is used in the most advanced Handycam® camcorders.
Accessories
Both cameras are supplied with a super-compact clip-on flash that attaches via the smart accessory terminal when needed. Other optional accessories include the FDA-SV1 Optical Viewfinder plus stylish cases and shoulder straps.
As an option, the accessory shoe on both cameras accepts a compact ECM-SST1 Stereo Microphone that captures even more high-quality sound for HD video recordings than the cameras’ built-in stereo recording.
The new cameras accept both Memory Stick PRO Duo™ (including Memory Stick PRO-HG Duo™) and SD (including both SDHC and SDXC formats) media (all sold separately). Sony’s new Memory Stick PRO-HG Duo HX offers 30MB per second transfer rates that save you time when downloading images.
Pricing and Availability
The NEX-5A and NEX-3A cameras, which are supplied with SEL16F28 lens, will cost about $650 and $550 respectively. NEX-5K and NEX-3K cameras, supplied with SEL1855 lens will cost about $700 and $600 respectively. The NEX-3 will be available in silver, black and red, and the NEX-5 in silver and black.
The SEL16F28 and SEL1855 lenses will be available for about $250 and $300. (The SEL18200 zoom lens will be available this fall for about $800.)
The cameras, lenses and a range of accessories will be available in July at Sony Style® retail stores (www.Sonystyle.com/retail) and at authorized dealers nationwide.
March 8th, 2010 by Allison Gibson Posted in Blog, Cameras, News

Along with the just announced Micro Four-Thirds Lumix G10, Panasonic has introduced the DMC-G2—the “world’s first digital interchangeable lens system camera with a touch control movable LCD.” The 12.1 MP Live MOS sensor LUMIX G2 records 1280 x 720 HD videos in the AVCHD Lite format and features iA (Intelligent Auto) mode as well as full manual and aperture and shutter priority shooting modes. The G2 will be available in red, blue and black, though pricing and availablity won’t be known until 30 days prior to shipping. See the press release below.
From Panasonic:
Secaucus, NJ (March 7, 2010) – Panasonic today announces the LUMIX DMC-G2, the world’s first* digital interchangeable lens system camera with a movable LCD that allows for touch-control, and the successor to the award-winning and revolutionary LUMIX G1, which was the world’s first Micro Four Thirds digital camera. The intuitive touch-control shooting elevates the camera’s operability, letting the user adjust auto focus (AF) simply by touching the subject on the large 3.0-inch 460,000-dot high- resolution LCD. The LUMIX G2, also shoots 720p High Definition video using the AVCHD Lite format, and joins the LUMIX G10, also introduced today, as the latest models in the LUMIX G Micro System.
With the touch-screen operation, users can even snap a photo by touching the LUMIX G2’s screen. Additionally, the touch-screen operation excels not only for shooting but also during playback. Users can touch one thumbnail viewed among many to quickly and easily see the full size of the desired photo. Also, to view images one-by-one, photos can be dragged across the screen to browse as though flipping the pages of a book.
“With the LUMIX G2, Panasonic is pleased to continue to lead the evolution of the Micro Four Thirds platform and also be the first in the industry to offer a touch-screen interchangeable lens system camera,” said David Briganti, Senior Product Manager, Imaging, Panasonic Consumer Electronics Company. “Touch-operation is a user interface with which many consumers are both familiar and expect, and we think the LUMIX G2’s touch-operation makes it easier and quicker to take photos and videos that have professional-like effects.”
Using the touch-screen operation, once a user locks onto a subject, the LUMIX G2 enables AF Tracking and will track the subject as it moves within the frame. Then, with a touch on the screen, users can select the part and the size of AF area with the 1-area AF. The Multi-area AF sets a group of AF points according to the composition. While using the manual focus, users can enlarge a subject by touching it and then choosing to enlarge it by 1x, 5x or 10x and then smoothly moving the part by dragging it on the screen. With this touch operation, menu settings can be changed quickly; cutting the time it takes to navigate using standard cursors. However, all setting changes can still be done using the control pad, if preferred.
The LUMIX G2 records 1280 x 720 HD videos in the AVCHD Lite format, which increases recording capacity and is highly compatible with audio-visual equipment. With a dedicated video record button, users can easily start recording a video. To complement its high-quality video capabilities, the LUMIX G2 features advanced audio options, as sound is recorded with Dolby Digital Creator and an optional accessory stereo microphone can be attached. A Wind Cut function further enhances the sound as it helps reduce noise caused from background wind.
The 3.0-inch touch-operation LCD has a wide-viewing angle and rotates 180° from side to side and tilts 270° up and down, providing approximately 100% of field of view. This free-angle LCD with a touch-screen operation makes it possible to both view and touch the screen from any angle. The double Live-View function offered by the high-resolution, 460,000-dot free-angle Intelligent LCD and 1,440,000-dot 1.4x (0.7x) Live View Finder allows users to see the settings’ results before pressing the shutter.
The 12.1-megapixel Live MOS sensor featured in the LUMIX G2 offers the best of both worlds – the outstanding image quality of a CCD sensor, and the lower power consumption of a CMOS sensor. Advanced technology enables it to read four channels of data simultaneously, helping the LUMIX G2 to deliver 60 frames-per-second Full-time Live View images, while faithfully reproducing high-resolution images with fine detail and rich gradation. Plus, with the high-speed, high-performance Venus Engine HD II, which has been re-engineered to further improve image quality.
The new high-speed, high-performance Venus Engine HD II supports the new image processing technology Intelligent Resolution, which enables the recording of beautiful photo and HD video with high quality signal processing. With Intelligent Resolution technology, three areas – outlines, detailed texture areas and soft gradation – are automatically detected. The outline parts are enhanced effectively to give edges increased clarity, while simultaneously giving a moderate accentuation to the textured areas so they look finely detailed. For the soft gradation areas, the improved noise reduction system of the Venus Engine HD II is applied to achieve a smoother effect. Apart from the uniform enhancement of sharpness, the innovative technology Intelligent Resolution precisely performs signal processing pixel by pixel in the most effective way, resulting in images that are naturally clear.
For users looking for additional creative options for both photos and videos, the LUMIX G2 delivers. While shooting HD video, users can set the camera in “P” mode – to change the aperture for professional-like movie effects where the images blur into focus. For still photos, the LUMIX G2 features the My Color mode with a total of seven preset effects – Expressive, Retro, Pure, Elegant, Monochrome, Dynamic Art, and Silhouette while also keeping the Custom mode, which lets users manually set the color, brightness and saturation levels and save their favorite settings into memory.
On the other hand, for beginner users not yet ready for manual modes – the LUMIX G2 features iA (Intelligent Auto), a popular setting in the LUMIX point-and-shoots that automatically engages features and settings for optimal image quality by detecting the shooting environment. Panasonic iA is available in both still photo and video recording settings and a new dedicated iA button, which illuminates in blue when engaged, makes it even easier to use this handy feature.
Other features of the LUMIX G2 include:
* Dust Reduction System: If dust or other foreign matter gets inside the camera when you’re changing lenses, it could cling to the image sensor and show up as a spot in your photos. The Dust Reduction System in the G2 helps eliminate this possibility by placing a supersonic wave filter in front of the Live MOS sensor. Vibrating vertically around 50,000 times per second, the filter repels dust and other particles effectively.
* Included Software: PHOTOfunSTUDIO 5.0 HD Edition makes it possible to sort and organize photos. Videos can be uploaded directly to YouTube using the built-in YouTube uploader – even in HD quality. It also lets you create a 360-degree rotation panorama file in .MOV files. The software is compatible with the Windows 7.
The Panasonic LUMIX G2 will come equipped as part of its kit, with the newly announced LUMIX G VARIO 14-42mm/F3.5-5.6 ASPH/MEGA O.I.S. lens. The new lens offers a versatile zoom range of 14-42mm (35mm camera equivalent: 28-84mm), making it suitable for a wide variety of scenes, everything from dynamic landscape to portrait. Additionally, the LUMIX G2 is compatible with all Micro Four Thirds System lenses, allowing users even higher levels of performance in a digital interchangeable lens camera.
The LUMIX DMC-G2 and other LUMIX G Micro System digital cameras can use any interchangeable lens that complies with the Four Thirds standard via an optional mount adaptor DMW-MA1 and with the prestigious Leica M/R Lenses via DMW-MA2M or MA3R. Other accessories include external flashes, filters, a remote shutter, HDMI mini cables and a variety of stylish straps and bags. To learn about the Panasonic LUMIX Micro Four Thirds System and all the available accessories, visit www.panasonic.com/lumix. The Panasonic LUMIX G2 will be available in red, blue and black models and pricing and availability will be announced 30 days prior to shipping date.
*As of March 7, 2010.
· Design and specifications are subject to change without notice.
· Some functions may not be available depending on the lens that is mounted.
· Use a card with SD Speed Class with “Class 4″ or higher when recording motion pictures in [AVCHD Lite]. Also, use a card with SD Speed Class with “Class 6″ or higher when recording motion pictures in [MOTION JPEG].
· The “AVCHD Lite” and the “AVCHD Lite” logo are trademarks of Panasonic Corporation and Sony Corporation.
· Dolby and the double-D symbol are trademarks of Dolby Laboratories.
· YouTube is a trademark of Google Inc.
· Windows and the Windows logo are trademarks of the Microsoft group of companies.