Samsung‘s DualView camera lineup has been increasingly gaining in popularity over the past couple of years (see DP’s review of the DualView TL225 here), due in large part to the namesake feature: the dual (front and back) LCD screens. Like its predecessors, the newly announced Samsung DV300F features a 1.5-inch front LCD that allows you to see a live view of what the lens sees, in order to get a perfectly framed self-portrait or couples’ travel shot. What at first seemed like a gimmick for the Facebook era narcissist in us all, the DualView has quickly been embraced as a convenient staple point-and-shoot feature.
Much the same, consumers who are used to the immediacy of sharing the images they capture on smart phones have come to expect the same sharing capabilities from digital cameras. Reacting to that consumer demand, the Samsung DV300F is the first DualView model to offer WiFi connectivity. “The camera’s built-in Wi-Fi connectivity enables users to email their images or upload them to social media sites including Facebook, Picasa, Flickr and YouTube. In addition, images saved onto the camera’s microSD memory card, can be saved to a home PC without wires, by using the Auto PC Backup function. Cloud services, including Samsung’s AllShare Play and Microsoft SkyDrive, allows users to store and share their precious pictures from anywhere,” according to Samsung.
The 16-megapixel CCD sensor Samsung DV300F will be available in March for an estimated $199.
Samsung has just announced three new compact digital cameras—two DualView models and one 14.2MP point-and-shoot. We are big fans of Samsung’s DualView cameras here at DP (see the review of the TL225), so the new ST600 and ST100 are spiking our interest. Both 14.2MP compacts are equipped with 1.8-inch front LCDs (compared to the TL225′s 1.5-inch) and offer Schneider KREUZNACH lenses with Optical and Digital Image Stabilization. They also look a lot more sleek and modern than the previous generation. The ST600 and ST100 will be available in September for $329.99 and $349.99, respectively.
The Samsung PL200 will be available in September for $179.99. The slim (0.83-inches thick) digicam has a 7x optical zoom lens (35mm film equivalent focal length of 31mm-217mm) and can record HD video (720p at 30fps) in H.264 format. See the press releases from Samsung for all three cameras below.
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Text and Photos by Allison Gibson
I’ve been known to cut my husband’s head off. In pictures, that is. He’s several inches taller than me, and when we travel we tend to forgo asking strangers to take our photo for us, opting instead to go for the stretched-out-arm-double-self-portrait. Inevitably, he only makes it into the shot from the neck down, or in other cases, our faces crowd the frame so much that the picture might as well have been taken in our front yard rather than in front of the Eiffel Tower. Sure, there’s the Quick Pod, Arm Extending Self Portrait Device, which would allow for further extension beyond my limited arm’s length, but then I still couldn’t see a preview of the shot to frame it. And, let’s face it; I probably wouldn’t go through the trouble of hooking it up. I’ve seen hacks online where people have glued small mirrors to the front of their cameras to resolve this issue, but it hasn’t been until recently that a camera has existed to remedy this problem professionally. It’s been a long time coming.
The Samsung DualView TL225 boasts two LCD screens—a 3.5-inch touch screen on the back and a 1.5-inch front LCD, which allows you to see a live view of what the lens sees, in order to get a perfect shot. Ingenious, really. Though I don’t know what took so long for this feature to make its way to consumers, I give major credit to Samsung for being the first.
The TL225 has a 12.2-megapixel CCD image sensor and 4.6x optical zoom. The 4.9-22.5mm (35mm film equivalent: 27-124.2mm) f/3.5-5.9 wide angle Schneider-KREUZNACH lens allows for shooting wide landscape vistas and large groups of people. There is an expanded list of flash modes, beyond what is often seen in pocket cams, including: Auto, Auto & Red-eye reduction, Fill-in flash, Slow sync, Flash off and Red eye fix. The TL225 records High Definition video (1280x720p at 30fps) in H.264 format, and has a mini HDMI connector.
If you’re a fan of the touch screen interface, you’ll be a fan of the TL225. The camera body is virtually void of any protruding buttons, save for a small power button, an almost flat shutter release, a zoom toggle and a slim and flat playback button—all on top. The wide 3.5-inch LCD screen fills up the entire back of the camera, and its touch menu is about as good as I’ve seen before for navigating the menu layers and scrolling through shots in playback. A simple tap of obviously marked tabs and symbols takes you where you need to be, and the circular shooting mode menu scrolls smoothly. The touch screen uses “haptic” technology, which causes a little buzz to occur when you tap so that you get the reassuring sensation of having pressed a button and made a selection. Also, the Gesture UI allows for the camera to respond to your hand gesture in order to access certain features.
Harbor shot in Auto Mode
Harbor shot in “Sunset” Scene Mode
There is an assortment of shooting modes in the TL225, including: Auto, Program, Smart Auto (which automatically recognizes the scene and adjusts settings), and thirteen dedicated Scene Modes (including: Beauty Shot, Frame Guide, Night, Portrait, Children, Dawn, Sunset, Text, Close up, Landscape, Backlight, Fireworks and Beach & Snow). There is also Dual Image Stabilization (IS) mode, which uses both Optical (OIS)—for combating hand-shake—and Digital (DIS)—as a backup—to help you capture sharp, blur-free shots. In Program Mode you can select from an ISO range of 80-3200, or ISO Auto. You can also choose to shoot in Auto Focus Mode, Macro (for a focusing distance closer than 80cm) or Super Macro (for less than 3-8cm) in order to control depth of field as specifically as the point-and-shoot will allow.
The nice thing about the 1.5-inch front LCD on the TL225 is that it turns off and basically disappears if it’s not in use, so that you don’t go around promoting your shots to the world if you use the rear LCD to frame. Also, it lies underneath the glossy, black semiopaque casing of the camera, so it’s much more scratch resistant than the rear screen.
There are additional uses for the front LCD beyond giving you a live view of what the lens sees for self portrait taking. In Child Mode, built-in animations, such as a winking clown, keep the attention of squirming toddlers and crying babies. The Samsung website offers additional Child Mode Animations for free download as well. The Countdown Timer animation is another option to be viewed through the front LCD, so that you know when to smile and when not to blink as you wait for the self timer to release the shutter.
My biggest complaint about the TL225 would be the memory issue. Samsung insists on using a Micro SD/SDHC to keep the camera slim and compact, but it ends up being a hassle for most of us whose card readers and arsenal of memory cards are of the SD/SDHC variation. At most, however, this is no more than an inconvenience; not really a flaw. The camera does come with about 55MB of internal memory as well.
All said, I’m a fan. Yes, mostly because of the DualView aspect, but also because I found the overall design and functionality of what could be a “gimmicky” camera to be very good. The $349.99 (MSRP) price tag is a response to the Schneider-KREUZNACH optics, the near flawless UI and the dual LCDs—not the comparable specs and image quality of point-and-shoots that can be found for well under $300. So, those are your options to weigh. Some people assume that the DualView TL225 is marketed only to those interested in vanity, but I think it’s worth considering how often you take self portrait shots, especially if you travel a lot. This is an innovation that goes far beyond vanity or gimmick in my opinion.
Samsung DualView TL225
- 3.93”W x 2.35”H x 0.73”D; .365 lbs.
- Image Sensor:
- 12.2-megapixels, CCD
- Still Recording Format:
- Mini SD/SDHC, 55MB internal
- 3.5-inch touch rear LCD; 1.5-inch front LCD
- Video Recording Mode:
- 1280×720 (30/15fps) High Quality; 1280×720 (30/15fps) Standard Quality;
640×480 (30/15fps); 320×240 (60/30/15 fps) in H.264 format
- Exposure Metering:
- Multi, Spot, Center Weighted, Face Detection AE
- ISO Equivalent:
- Auto, 80, 100, 200, 400, 800, 1600, 3200
- Power Source:
- SLB-07ARechargeable Battery