Posts Tagged ‘Cameras’
Text and Photos by Allison Gibson
I’ve been known to cut my husband’s head off. In pictures, that is. He’s several inches taller than me, and when we travel we tend to forgo asking strangers to take our photo for us, opting instead to go for the stretched-out-arm-double-self-portrait. Inevitably, he only makes it into the shot from the neck down, or in other cases, our faces crowd the frame so much that the picture might as well have been taken in our front yard rather than in front of the Eiffel Tower. Sure, there’s the Quick Pod, Arm Extending Self Portrait Device, which would allow for further extension beyond my limited arm’s length, but then I still couldn’t see a preview of the shot to frame it. And, let’s face it; I probably wouldn’t go through the trouble of hooking it up. I’ve seen hacks online where people have glued small mirrors to the front of their cameras to resolve this issue, but it hasn’t been until recently that a camera has existed to remedy this problem professionally. It’s been a long time coming.
The Samsung DualView TL225 boasts two LCD screens—a 3.5-inch touch screen on the back and a 1.5-inch front LCD, which allows you to see a live view of what the lens sees, in order to get a perfect shot. Ingenious, really. Though I don’t know what took so long for this feature to make its way to consumers, I give major credit to Samsung for being the first.
The TL225 has a 12.2-megapixel CCD image sensor and 4.6x optical zoom. The 4.9-22.5mm (35mm film equivalent: 27-124.2mm) f/3.5-5.9 wide angle Schneider-KREUZNACH lens allows for shooting wide landscape vistas and large groups of people. There is an expanded list of flash modes, beyond what is often seen in pocket cams, including: Auto, Auto & Red-eye reduction, Fill-in flash, Slow sync, Flash off and Red eye fix. The TL225 records High Definition video (1280x720p at 30fps) in H.264 format, and has a mini HDMI connector.
If you’re a fan of the touch screen interface, you’ll be a fan of the TL225. The camera body is virtually void of any protruding buttons, save for a small power button, an almost flat shutter release, a zoom toggle and a slim and flat playback button—all on top. The wide 3.5-inch LCD screen fills up the entire back of the camera, and its touch menu is about as good as I’ve seen before for navigating the menu layers and scrolling through shots in playback. A simple tap of obviously marked tabs and symbols takes you where you need to be, and the circular shooting mode menu scrolls smoothly. The touch screen uses “haptic” technology, which causes a little buzz to occur when you tap so that you get the reassuring sensation of having pressed a button and made a selection. Also, the Gesture UI allows for the camera to respond to your hand gesture in order to access certain features.
Harbor shot in Auto Mode
Harbor shot in “Sunset” Scene Mode
There is an assortment of shooting modes in the TL225, including: Auto, Program, Smart Auto (which automatically recognizes the scene and adjusts settings), and thirteen dedicated Scene Modes (including: Beauty Shot, Frame Guide, Night, Portrait, Children, Dawn, Sunset, Text, Close up, Landscape, Backlight, Fireworks and Beach & Snow). There is also Dual Image Stabilization (IS) mode, which uses both Optical (OIS)—for combating hand-shake—and Digital (DIS)—as a backup—to help you capture sharp, blur-free shots. In Program Mode you can select from an ISO range of 80-3200, or ISO Auto. You can also choose to shoot in Auto Focus Mode, Macro (for a focusing distance closer than 80cm) or Super Macro (for less than 3-8cm) in order to control depth of field as specifically as the point-and-shoot will allow.
The nice thing about the 1.5-inch front LCD on the TL225 is that it turns off and basically disappears if it’s not in use, so that you don’t go around promoting your shots to the world if you use the rear LCD to frame. Also, it lies underneath the glossy, black semiopaque casing of the camera, so it’s much more scratch resistant than the rear screen.
There are additional uses for the front LCD beyond giving you a live view of what the lens sees for self portrait taking. In Child Mode, built-in animations, such as a winking clown, keep the attention of squirming toddlers and crying babies. The Samsung website offers additional Child Mode Animations for free download as well. The Countdown Timer animation is another option to be viewed through the front LCD, so that you know when to smile and when not to blink as you wait for the self timer to release the shutter.
My biggest complaint about the TL225 would be the memory issue. Samsung insists on using a Micro SD/SDHC to keep the camera slim and compact, but it ends up being a hassle for most of us whose card readers and arsenal of memory cards are of the SD/SDHC variation. At most, however, this is no more than an inconvenience; not really a flaw. The camera does come with about 55MB of internal memory as well.
All said, I’m a fan. Yes, mostly because of the DualView aspect, but also because I found the overall design and functionality of what could be a “gimmicky” camera to be very good. The $349.99 (MSRP) price tag is a response to the Schneider-KREUZNACH optics, the near flawless UI and the dual LCDs—not the comparable specs and image quality of point-and-shoots that can be found for well under $300. So, those are your options to weigh. Some people assume that the DualView TL225 is marketed only to those interested in vanity, but I think it’s worth considering how often you take self portrait shots, especially if you travel a lot. This is an innovation that goes far beyond vanity or gimmick in my opinion.
Samsung DualView TL225
- 3.93”W x 2.35”H x 0.73”D; .365 lbs.
- Image Sensor:
- 12.2-megapixels, CCD
- Still Recording Format:
- Mini SD/SDHC, 55MB internal
- 3.5-inch touch rear LCD; 1.5-inch front LCD
- Video Recording Mode:
- 1280×720 (30/15fps) High Quality; 1280×720 (30/15fps) Standard Quality;
640×480 (30/15fps); 320×240 (60/30/15 fps) in H.264 format
- Exposure Metering:
- Multi, Spot, Center Weighted, Face Detection AE
- ISO Equivalent:
- Auto, 80, 100, 200, 400, 800, 1600, 3200
- Power Source:
- SLB-07ARechargeable Battery
Breaking: Sony has announced two new slim and compact point-and-shoot cameras, just days before the PMA show in Anaheim. The Cyber-shot DSC-TX5 is “the world’s thinnest and smallest certified waterproof camera” (up to ten feet deep), and is “certified to be freeze proof down to 14 degrees Fahrenheit, shockproof up to about a 5 foot-drop and dust proof.” The TX5 is also Sony’s first digital still camera with an “Exmor R” CMOS sensor. The 10.2MP CMOS image sensor marks a shift from the more common use of the CCD (charged-couple device) image sensor usually found in point-and-shoot cameras, compared to the larger CMOS (complementary metal-oxide-semiconductor) sensor found in D-SLRs. The TX5 also offer 10fps continuous burst shooting. It will be available in silver, black, pink, green, and red this April for about $350.
The DSC-H55 offers a 10x optical zoom Sony G lens with 25mm wide-angle (equivalent) and has a 14.1MP CCD sensor. Like the TX5, it lets you take panoramic shots in one sweeping motion with Sweep Panorama mode and has HD movie recording (1280 x 720 at 30p). The H55 will be available in black and silver this April for about $250. Find the full press release for both cameras below.
SAN DIEGO, Feb. 17, 2010 – Leading the industry in innovation and design, Sony today unveiled two new Cyber-shot® digital still cameras (models DSC-TX5 and DSC-H55).
Slim enough to fit in your pocket or purse at less than an inch thin — about the size of a deck of cards — the TX5 is the world’s thinnest and smallest certified waterproof (up to 10 feet deep) digital still camera with Optical SteadyShot™ image stabilization and touch operation. Additionally, the 10.2 megapixel model is Sony’s first digital still camera with an “Exmor R” CMOS sensor that is also certified to be freeze proof down to 14 degrees Fahrenheit, shockproof up to about a 5 foot-drop and dust proof.
“Only Sony can deliver a technology-packed, ultra slim, fashionable T-series camera that is also durable. Until now, you couldn’t have it all in one camera” said Kelly Davis, director of the Digital Imaging business at Sony Electronics. “It is so versatile because it’s a great camera for both indoor and outdoor usage. You can easily take it from a day at the beach with the kids to a cocktail party with friends. This camera is also great for activities such as snorkeling, snowboarding or boating.”
Waterproof, Freeze Proof, Shockproof and Dust Proof
Waterproof in up to 10 feet of water for an hour, the TX5 lets you take high-quality photos, including panoramic pictures, and 720p high definition videos of your friends, family or pets underwater. From the tropics to the top of the mountain, the camera is also freeze proof down to 14 degrees Fahrenheit, so you can take pictures of the kids sledding or snowboarding. Not only is it ready for cold weather, but the TX5 is durable enough to withstand an accidental drop from up to approximately 5 feet. Additionally, it is dust proof, so you can take it with you on a camping trip or a mountain bike ride.
The camera features an “Exmor R” sensor and offers 10fps continuous burst shooting for capturing action shots, so you can get great photos of the perfect moment such as when your kids are in mid air while jumping into the pool. Additionally, the sensor provides outstanding low-light performance so you can take high-quality photos even after the sun sets.
In one easy press-and-sweep motion, take panoramic photos of the underwater landscape or breathtaking views from the top of the mountain using the Intelligent Sweep Panorama™ feature. Another benefit of the “Exmor R” sensor, this innovative feature combines separate captures, detects faces and subject motion and intelligently adjusts the width while stitching the images together, resulting in natural looking panoramic photos.
The camera features a three-inch (measured diagonally) Clear Photo LCD Plus™ (230,400 pixel) wide touch screen display that functions—even underwater. You can focus on your subject, operate the menu and share photos and videos with a touch of the screen—wet or dry. Additionally, you can decorate your photos using the paint feature or scroll through images by simply sweeping your finger across the screen.
Shadows and Details Made Easy
In addition to making it easy to capture entire landscapes or tall buildings, the TX5 camera also helps to manage difficult lighting situations. The “Exmor R” CMOS sensor lets you take high-quality photos in low light without a flash. Additionally, the TX5 has a solution for backlight situations.
With in-camera multi-shot Backlight Correction High Dynamic Range (HDR), the camera combines highlight and shadow detail of two separate captures into one remarkably natural looking image—even without a tripod. HDR offers a solution for strong backlight situations which typically result in either dark shadows in the foreground or a washed out background. Sony’s “Exmor R” sensor and BIONZ® processor help to correct these issues.
Sony also is introducing the H55 model, which offers high zoom in a compact design. The H55 camera’s 10x optical zoom Sony G lens with 25mm wide-angle (equivalent) takes better shots from greater distances and of wider landscapes. With a 14.1 megapixel CCD sensor, this camera lets you take panoramic shots in one sweeping motion with Sweep Panorama™ mode. You can also frame and view photos on its three-inch (measured diagonally) Clear Photo™ LCD screen (230,400 pixels).
Featuring 720p movie recording, the H55 model offers Optical SteadyShot™ image stabilization to help reduce blur in photos without compromising image quality. It also adds Optical SteadyShot image stabilization with Active Mode, which lets you shoot smoother movie clips even if you are walking while shooting. Optical SteadyShot image stabilization with Active Mode allows a moveable lens element inside the camera to shift with greater range of motion—10 times the range of the Optical SteadyShot feature at wide end in standard mode—to compensate for camera shake.
The TX5 and H55 cameras share intelligent features including HD movie recording (1280 x 720 at 30p). Additionally, these cameras have a Self portrait timer that automatically takes the shot two seconds after one or two faces are detected, making hand held self-portraits easy. They also offer Smile Shutter™ technology to automatically capture smiles and iAUTO and Easy modes, which make it easy to get the best shot in nearly any lighting situation.
To give customers greater choice and enhance the overall customer experience, the TX5 and H55 cameras feature a memory card slot compatible with both Memory Stick® (PRO Duo™) and class-four and above SD/SDHC formats.
Pricing and Availability
The TX5 camera will be available in silver, black, pink, green, and red this April for about $350, and the H55 camera will be available in black and silver this April for about $250. Pre-sales begin in February.
The cameras and a range of accessories will be available online at Sonystyle.com, at Sony Style® retail stores (www.Sonystyle.com/retail), at military base exchanges and at authorized dealers nationwide.
Text and Photos by Allison Gibson
The Nikon COOLPIX S1000pj’s built-in projector seemed like a gimmick at first, but after using it, I found that the feature quickly moved beyond the realm of “party trick” into that of functionality. Boasting a 12.1-megapixel CCD sensor, a 5x optical zoom 5-25mm f/1:3.9-5.8 Nikkor lens, and an ISO range from 80-6400, the COOLPIX S1000pj fares well against competitors in its category specs-wise. The compact Nikon camera feels sturdier in-hand than many other point-and-shoots, and looks more professional with its gunmetal black finish and bright 2.7-inch LCD.
The compact COOLPIX S1000pj is an impressive image taker for its class. This point-and-shoot camera doesn’t offer Manual shooting mode—or even Aperture or Shutter Priorities—but its Auto and Scene selections do tend to make the right setting choices for capturing crisp, vivid shots. The shooting modes offered are: Auto, Smart Portrait and Subject Tracking, as well as a solid lineup of Scene modes, including: Scene auto selector, Portrait, Landscape, Sports, Night portrait, Party/indoor, Beach/snow, Sunset, Dusk/dawn, Night landscape, Close-up, Food, Museum, Fireworks show, Copy, Backlight and Panorama assist. It also shoots movies with sound (640 x 480 at 30fps). Capture is to 36MB internal memory or an SD/SDHC card.
The COOLPIX S1000pj also boasts a generous ISO range, though the numbers may impress more than the results. I was prepared for the worst when I set out to shoot at ISO 6400, but was actually impressed with the results once I did. Not surprisingly, there is a good amount of noise, but much less than I expected, and the images retained better detail than I expected as well. Still though, you probably don’t want to venture above ISO 800 to be safe. But being as this is a point-and-shoot camera, it is really meant to make taking pictures as simple as possible, and the Scene mode options listed above do the work for you quite well—even the modes meant for low-light shooting.
One seemingly insignificant feature of this camera that made me happy was the fact that whatever flash mode you set it to stays set even after you turn the camera off. Too often with point-and-shoot cameras, you turn the Auto flash mode off and then next time you go to take a shot, the flash is back on again by default, forcing you to take the step to turn it off again before each shot.
Projecting Your Pictures
The stand-out feature of the Nikon COOLPIX S1000pj—and most definitely the reason for the $430.00 price tag—is the built-in projector, which allows you to display your photos and videos directly from the camera (via internal memory or SD/SDHC card) onto a blank wall or projector screen. The camera comes bundled with two small, plastic projector stands, but I found them to be unnecessary, as setting the camera on any flat surface works. I even projected images stably onto a brick wall in downtown Los Angeles while holding the camera in my hand. There is a sliding focus adjustor on top of the camera to make sure the projections are sharp. You can set the camera to project a slideshow of all of your images, or just share one, and there is a remote control so that you can step away and control the projector from elsewhere.
The projector has up to 10 lumens of brightness, and its throw distance is 10-inches to 6-feet 6-inches. According to Nikon the battery endurance when running the projector is approximately one hour (on a fully charged battery).
Handling The Camera
The COOLPIX S1000pj is compact and thin enough to fit in a pocket, but it feels sturdy compared to the plasticky lightness—okay, cheapness—of many small point-and-shoot cameras. At 5.5 ounces, it is actually heavier than most others, and the brushed metal surface of the face-plate adds a stylish sophistication to the look of it. I supposed if you’re going to have Ashton Kutcher hold one in ads, it had better look good.
As is almost always the case with point-and-shoots, the S1000pj lacks an optical viewfinder, but the 2.7-inch LCD with anti-reflection coating is bright and clear. The small selection of buttons to the right of the LCD are what you’d expect: the camera button for switching between shooting modes, playback, menu, delete and the four-way control for flash, exposure compensation, macro mode and self-timer. The projector button is conveniently located on top of the camera, right next to the focus slider, on/off button and shutter release. The digital menu is easily navigable and zooming in and out with the toggle on top of the camera is smooth.
It’s Really All About That Projector
Though the COOLPIX S1000pj does have many of the features one would want in a stylish and slightly more advanced point-and-shoot camera, the feature that really sets it apart is the built-in mini projector. This feature is admittedly impressive, and useful, and I imagine we will see it become more common in the near future (Sony is reported to be working on it, according to Photo Rumors). However, you would have to decide whether it’s worth the approximately $150.00 more you’ll likely be paying for it since cameras with similar specs and no projector can be found for well under $300.00, even by Nikon.
Nikon COOLPIX S1000pj
- 4”W x 2.5”H x 0.9”D; 5.5 oz.
- Image Sensor:
- Still Recording Format:
- SD/SDHC, 36MB internal
- 2.7-inch LCD (230,000 pixels)
- Video Recording Mode:
- 640×480 (30fps) in .AVI format
- Projector Image Size:
- 50 to 40-inches
- Projector Throw Distance:
- Approximately 10-inches to 6-feet 6-inches
- Power Source:
- Nikon EN-EL12 Lithium-ion Rechargeable Battery
Canon today added four new cameras to their PowerShot lineup, including the 14.1MP SX210 IS, which shoots HD video (720p), and which will be available in late March for $349.99. Also announced were the SD 3500 IS, the SD1400 IS and the SD1300 IS.
LAKE SUCCESS, N.Y., February 8, 2010 – Canon U.S.A., Inc., a leader in digital imaging, today announced the addition of four new PowerShot Digital cameras, the PowerShot SX210 IS, PowerShot SD3500 IS, PowerShot SD1400 IS and PowerShot SD1300 IS, offering today’s photographer a compelling blend of cutting-edge photo capture technology and superior styling. The new PowerShot cameras offer increased shooting flexibility in a number of settings through advancements to the Smart Auto mode while offering greater photo personalization and enhanced creativity with new Scene Modes and Image effects. The addition of Fish-eye and Miniature Effect modes help photographers add a creative element or lend a humorous look and feel when capturing images of their favorite household pet or landscape scene.
From untimely blinks and awkward smirks to hard to shoot back-lit situations, the compact PowerShot SX210 IS, PowerShot SD3500 IS and PowerShot SD1400 IS cameras offer a variety of technologies to secure the best pictures under the most challenging conditions. In addition to the Face Detection self-timer, the new Smart Shutter scene mode now has Smile and Wink self-timers where the camera looks for a wink or smile which will act as the trigger and release the camera’s shutter.
The advances to Canon’s Smart Auto mode increases the number of shooting scenarios where each PowerShot camera can automatically adjust to different lighting or movement levels to obtain the best image possible. In addition, Canon’s Smart FE (Flash Exposure) function improves image quality by automatically adding the optimum level of flash illumination, aperture, ISO and shutter speed while the Low Light Mode features a wide ISO range (up to 6400), allowing more light to be captured creating sharper more vivid images and further enhancing the overall quality.
“The new Canon PowerShot Digital cameras are designed for consumers seeking a blend of eye-catching style and advanced image capture technology in a compact, easy-to-use form,” said Yuichi Ishizuka, executive vice president and general manager, Consumer Imaging Group, Canon U.S.A. “Offering a unique blend of features and functionality including new Scene Modes, Smart FE and Smart Shutter, Canon once again brings image-taking and personal photography expression to new levels.”
For users interested in expanding beyond still images, three of the four new PowerShot cameras announced today have the ability to shoot 720p High Definition (HD) video offering extraordinary resolution and clarity when capturing moments such as a child’s dance recital or the latest trip to the local zoo. Also, the built-in HDMI mini-connector allows play-back of video and photos on an HDTV. With the camera tethered to a computer and the included software, movies can be uploaded directly to YouTube via the Camera Window. To further enhance a users ability to capture images and video, all of the new Canon PowerShot Digital cameras will support the high-spec SDXC memory cards with a maximum storage capacity of two terabytes (TB) in SDA standard.
Canon PowerShot SX210 IS Digital Camera:
The Canon PowerShot SX210 IS is designed for the photographer seeking HD video and brilliant image quality in a stylish, compact camera. Featuring a 28mm wide-angle lens with 14x Optical Zoom and Optical Image Stabilization, the PowerShot SX210 IS allows users to capture dramatic close-ups or broad landscapes with ease, while the 14.1-Megapixel resolution ensures stunning image quality. Available in three bold color variations, black, purple and gold, additional features include a 3.0-inch wide LCD screen for improved visibility and glare reduction with enhanced Control Dial with Hints and Tips. For shooting video, the PowerShot SX210 IS has the ability to zoom optically, shoot in stereo sound and has Dynamic Mode Image Stabilization for improved image clarity. Users embracing the freedom of wireless data transfer can connect directly to PCs through Eye-Fi memory cards1. The PowerShot SX210 IS is scheduled to be available in late March for an estimated retail price of $349.99.
Canon PowerShot SD3500 IS Digital Camera:
The Canon PowerShot SD3500 IS represents a significant milestone in the evolution of the ELPH series through the combination of superior image capture functionality and Canon’s touch screen technology. The camera’s large 3.5-inch wide LCD touch screen enables intuitive operation as users can customize their photo settings by simply dragging icons to their preferred on-screen location, then utilizing “tap” operations to switch between images during playback. A 24mm ultra-wide angle lens with 5x Optical Zoom gets more in your shot, like that family vacation at the Grand Canyon or the Empire State Building while Optical Image Stabilization ensure blur free images at full telephoto. The 14.1-Megapixel resolution delivers stunning images and the HD quality video further adds to the overall allure of this new PowerShot Digital camera. Available in three elegant color variations, black, silver and pink, the PowerShot SD3500 IS is also compatible with Eye-Fi memory cards for wireless transfer of video and photo files to PCs1. The PowerShot SD3500 IS is scheduled to be available in late February for an estimated retail price of $329.99.
Canon PowerShot SD1400 IS Digital Camera:
The Canon PowerShot SD1400 IS is the ideal choice for the on-the-go, spontaneous photographer seeking outstanding performance in a super-slim camera. Measuring less than one inch in thickness, the sleek PowerShot SD1400 IS features a 28mm wide-angle lens with 4x Optical Zoom lens and Optical Image Stabilization and 14.1-Megapixel resolution for outstanding photo and HD video quality. Available in four vibrant color variations, pink, orange, silver and black, the PowerShot SD1400 IS is scheduled to be available in late February for an estimated retail price of $249.99.
Canon PowerShot SD1300 IS Digital Camera:
The Canon PowerShot SD1300 IS delivers outstanding value for the consumer seeking a stylish, highly functional digital camera. The PowerShot SD1300 IS features a 28mm wide angle lens with 4x Optical Zoom lens and Optical Image Stabilization, 12.1-Megapixel resolution, and enlarged 2.7 -inch PureColor System LCD screen offering superior visibility. Available in five color variations, silver, pink, green, blue and brown, the PowerShot SD1300 IS is scheduled to be available in late February for an estimated retail price of $199.99.
Canon announced today the EOS Rebel T2i—the follow-up D-SLR to last year’s T1i. The T2i boasts an 18MP CMOS sensor, an ISO range of 100-6400 (expandable to 12,800), full HD 1080p video (1920 x 1080) at 30, 24 or 25fps. The T2i will be available in early March for $899.99 (kit—with Canon’s EF-S 18-55mm f/3.5-5.6 IS zoom lens).
LAKE SUCCESS, N.Y., February 8, 2010 – Canon U.S.A., Inc., a leader in digital imaging, today introduced the new flagship model for the Company’s highly popular Rebel DSLR line: the Canon EOS Rebel T2i Digital SLR camera. Today’s photo enthusiast is looking for a camera that will grow with them as they learn, and that is a perfect description of the new EOS Rebel T2i Digital SLR camera. Retaining all of the traditional characteristics that have made the EOS Rebel series beloved by entry-level photographers and an industry best-seller, the new Rebel T2i succeeds in bridging the gap between an entry-level camera and a true pro-sumer camera.
The Rebel T2i Digital SLR camera includes a variety of new features for photographic assignments as varied as grabbing that action shot from the sidelines or creating memorable family portraits, including: 3.7 fps shooting, an ISO range of 100-6400 (expandable to 12,800), a 63-zone Dual Layer Metering System, and Canon’s DIGIC 4 Imaging Processor. There are some moments in our lives where video helps capture the moment better than a still image, and the Rebel T2i offers the best of both worlds with Full HD 1080p video as well as 18-megapixel still images. The Rebel T2i DSLR continues Canon’s industry-leading trend in Full HD DSLR video capture with manual exposure control, selectable frame rates and a new external microphone input. There is also a new feature for standard definition recording, Movie Crop, which provides an approximate 7x additional zoom with no loss of image quality when shooting SD quality video.
“There is no question that HD video is the biggest trend in DSLR technology and because of this we are seeing the creativity of still photographers transferring to the moving image. Still photographers are using the various lenses and accessories they are already familiar with to create amazing video footage,” stated Yuichi Ishizuka, executive vice president and general manager, Consumer Imaging Group, Canon U.S.A. “Taking that HD video quality and putting it in the hands of entry-level photographers with cameras like our new EOS Rebel T2i, we are seeing a new generation of creative digital artists emerge.”
Lights, Rebel, Action – EOS HD Video
Canon’s EOS HD video capture has helped spark a major movement in digital imaging, empowering still photographers with the ability to experiment, learn and capture stunning high-definition video through a variety of creative lenses. Continuing this imaging revolution, the new EOS Rebel T2i puts entry-level photographers on the frontline equipped with all the latest EOS HD video features including full HD video at 1920×1080 resolution, selectable frame rates, full manual exposure control and the visual options of interchangeable lenses. Manual video exposure control provides novice filmmakers with the image control they are accustomed to in a still camera, all while shooting professional-level cinematic video. Professional photographers utilize creative lighting, adjustable depth-of-field and a variety of lenses to create powerful still images and video footage, and these are exactly the tools that the new Rebel T2i gives to budding photo and video enthusiasts. Adding a new professional-level feature for EOS cameras, the Rebel T2i includes an Auto ISO function that works in all Creative Zone exposure modes including Manual where users can set a limit to the highest ISO the camera will use, enabling them to retain the lighting and look they desire for a scene. By setting an Auto ISO range, videographers can retain dark shadow areas and avoid blowing out highlight areas in a scene while still retaining the benefit of automatic ISO adjustments. The Rebel T2i DSLR captures video in both NTSC (National Television System Committee) and PAL (Phase Altering Line) standards at selectable frame rates including Full HD 1920 x 1080 at 30 (29.97), 25 or 24 (23.976) fps, and HD 1280 x 720 or Standard Definition 640 x 480 quality video, at 60 (59.94) or 50 fps.
For easier video recording operation and familiar functionality for beginners, the Rebel T2i’s autofocus can be operated before or during video recording by pressing the shutter button half-way down in video mode. Another feature debuting in the Rebel T2i is Canon’s new Movie Crop mode, where the user can achieve 7x magnification when shooting SD video for a significantly increased “telephoto” effect. Unlike the digital zoom feature found in many compact digital cameras, Canon’s new Movie Crop mode actually crops the image directly from the CMOS sensor at full SD resolution to preserve maximum image quality and provide additional zoom power. The new Movie Crop feature is especially helpful for achieving extra full resolution zoom power when filming youth sports, such as a child running to the furthest end of a field. For better sound quality when shooting video, the Rebel T2i DSLR includes an external stereo microphone jack, a first for an EOS Rebel model, in addition to its built-in monaural microphone. These audio and video features supplement a tremendous range of additional must-have video features in an entry-level Digital SLR camera.
For enhanced viewing pleasure and easy video sharing at home, the HDMI video-out capability of the Rebel T2i DSLR includes a new Consumer Electronics Control (CEC) compatibility which allows users to play back still or video files on a CEC-compliant HDTV, using the TV remote to control the camera when connected via HDMI interface.
Camera Feature Set
The EOS Rebel T2i DSLR features a newly developed 18-million-pixel Canon CMOS imaging sensor providing outstanding resolution and light sensitivity for amazing poster-sized prints with fine detail and stunning color. The camera exhibits exceptional low-noise performance incorporating many of the same technologies used to reduce noise in professional cameras such as the EOS 7D. The Rebel T2i camera’s basic ISO range is an amazing 100~6400, and via a Custom Function, it can be extended to ISO 12,800. The outstanding ISO range combined with its noise reduction technology allows the Rebel T2i to capture outstanding low-light pictures at events such as candlelit birthday celebrations or recitals where flash photography may be prohibited.
The camera provides 3.7 fps continuous shooting for still photos, making it the fastest shooting Rebel model to date and enabling users to capture that great image of a little leaguer’s first swing. The camera features Canon’s proprietary iFCL 63-zone dual-layer metering system offering intelligent Evaluative metering with much finer segmentation than any previous EOS Rebel model. The new Rebel T2i also has an expanded ± 5 EV exposure compensation range allowing for much more versatility when shooting in extremely bright or dark environments; or when shooting HDR (high dynamic range) images.
The Rebel T2i DSLR includes a number of professional-level user-selectable Canon image processing features to enhance the image quality of in-camera JPEG files, and to tag RAW images for processing later through Canon’s Digital Photo Professional software (included with the camera). These features include Canon’s Auto Lighting Optimizer to enhance shadow detail and add contrast to “flat” scenes, Highlight Tone Priority adding up to one stop of detail in bright highlight areas, Peripheral Illumination Correction for automatic correction of vignetting, High ISO Noise Reduction with four user-selectable settings, and Long Exposure Noise Reduction applied to exposures one second or longer. These Canon image enhancements provide new photographers with professional quality automatic image correction on JPEG files right out of the camera.
The EOS Rebel T2i digital camera includes a new enhanced 3-inch LCD monitor featuring 1.04 million dots with a wide 3:2 aspect ratio, wider than previous EOS models. The Rebel T2i camera’s LCD monitor can display a full-screen video image utilizing the entire screen during playback. For maximum storage capacity the new EOS Rebel T2i Digital SLR camera is the first EOS model to support SDXC memory cards. With all the new and exciting features of the EOS Rebel T2i, the Rebel series continues to provide great Canon features such as Live View, a built-in pop-up flash, and the EOS integrated cleaning system, as well as compatibility with Canon EX-series Speedlites and Canon EF and EF-S lenses allowing users to fully explore multiple creative photographic possibilities. The new EOS Rebel T2i Digital SLR camera is also compatible with Canon’s new BG-E8 battery grip and new RC-6 wireless remote control for both still images and video capture.
Pricing and Availability
The Canon EOS Rebel T2i Digital SLR camera is scheduled to be delivered to U.S. dealers in early March, and will be sold in a body-only configuration at an estimated retail price of $799.99. It will also be offered in a kit version with Canon’s EF-S 18-55mm f/3.5-5.6 IS zoom lens at an estimated retail price of $899.99.
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