photo: Jamie Beck / From Me To You
“When I first started there were 6-7 photogs shooting the shows. Vogue, WWD, NYT, the top publications. Before you had to be with a magazine or newspaper but now it has changed,” Condé Nast photographer Robert Mitra tells New York-based photographer Jamie Beck in a great interview on Beck’s site, From Me To You, about the realities of working the Fashion Week “pit” for 25 years.
If you follow fashion week photography, you know that saying “it has changed” is an understatement. These days, everyone from solo street style bloggers to online publications big and small are firing off photos of the runways and the beautiful people in the front rows from New York Fashion Week all the way through the final shows in Paris. And of course they’re doing so on DSLRs and iPhones alike, with Instagram shots uploaded in real time often serving as the public’s first views of the collections.
In the behind the scenes interview, Mitra lists his gear of choice (Canon 1D Mark IV, 70-200mm lens, monopod) in addition to sharing his tips for capturing candid backstage shots of the models and discussing why he shoots JPG rather than RAW. Check out the full interview on From Me To You.
I’ve been a fan of Photojojo’s off-beat photo DIYs for a while now, but their recent tutorial for making scented photographs might be the most obscure way of getting shutterbugs to interact with their shots that I’ve ever seen. But hey, if photography is meant to capture a moment in time, then why not also include the other sensory elements of that moment?
The three techniques given by Photojojo for making aromatic shots are: Print A Whiff—in which you pay a service to make your photo scratch-and-sniff (okay, not so “DIY,” but still rad); Just Sniff, No Scratch—in which you marinate your print in a homemade scent (bonus points if the scent corresponds to the subject of the photo, like, say, a flower or a wet dog); Essential Oil Scenting—which isn’t so very different from the second process except that it seems easier. Check out the full tutorial here.
So, what do you think? Will you make scratch-and-sniff photos? Do you even print your shots after you take them?
(Photojojo via Apartment Therapy)
all images © Nicole Franzen
Thanks to photo apps like Instagram, and to our current culture of capture-and-overshare enthusiasm, I can no longer sit down to a meal without snapping a photo of the food. If you take a look at the various tags on Instagram related to the things that people consume throughout the day (#food #eats #noms) you’ll see that I am not alone in the habitual photographing of my meals.
But outside of the realm of iPhonography, there is also a thriving professional food photography world. Yes, this is an actual job that many fortunate (and talented!) folks have managed to carve out for themselves. While some great cooking glossies have gone by the wayside (RIP Gourmet), there is no shortage of outlets for professional photographers to showcase (and cash in on) their work online and in print.
Professional food photographers may make their deliciously-staged shots look simple, but the craft of capturing food is no easy feat. Even someone well versed in the other genres of photography will have to relearn the rules when shooting subjects as fickle as couscous or cheeseburgers. And reflective subjects like glasses full of bubbly can offer significant challenges in improper lighting.
So with those sorts of challenges in mind, I’ve asked Brooklyn-based food photographer, Nicole Franzen, to share her tips for shooting food, including advice on equipment, lighting, styling and composition. Nicole runs the gorgeous food and lifestyle blog, La Buena Vida, and her photo clients include Bon Appétit, Edible Manhattan and Edible Brooklyn Magazines, and Gramercy Tavern, among many others.
Below are Nicole’s tips on the craft of photographing food. Grab a fork and dig in!
Read the rest of this entry »
Flickr has just announced a new privacy feature for geotagged photos, called Geofences. Over 300 million photos and videos have been geotagged by Flickr members so far, and the engineers wanted to make managing privacy of these geotagged shots easier for the community. Instances in which you might want to conceal your photo’s location include: shots taken at home or at the private residence of someone else whose exact location you don’t feel comfortable broadcasting to the world at large. According to one Flickr engineer, who helped develop the new feature, “Geofences are special locations that deserve their own geo privacy settings. Simply draw a circle on a map, choose a geo privacy setting for that area, and you’re done. Existing photos in that location are updated with your new setting, and any time you geotag a photo in that area, it gets that setting too.” This saves the photographer the hassle of tweaking default geo settings every time she uploads media taken in a location she has deemed private.
Read all about Geofences, from the inception of the idea to the technical details on the Code: Flickr Developer Blog.
Chances are, if you have young children, you’ve experienced the odd gadget drop at the hands of your well-meaning but not entirely coordinated little one. Chances are also very good that the gadget in question was a digital camera—because cameras are fun and you love to encourage your budding shutterbugs in their behind the lens talents. Well, the geniuses over at Instructables have come up with an easy and fun preemptive measure for this very situation: the awesome bouncy kids camera made with sugru. Go ahead, DIY to your heart’s desire and let the kids keep snapping away!
(via ohdeedoh, via Instructables)
Page 1 of 612345...»Last »